Prop Designer for Love's Labor's Lost.
Prop Designer for Love's Labor's Lost.
Costume Design for The Acting Company: X, A Connecticut Yankee in King Arthur’s Court, Hamlet, Rosencrantz and Guildenstern Are Dead, Of Mice and Men, Julius Caesar, The Comedy of Errors, Love’s Fire. Broadway: Our Country’s Good, Fences, Hughie, Search and Destroy, Mastergate. Off-Broadway/Regional: BAM, Public, Roundabout, NYC Opera, ACT San Francisco, Centerstage Baltimore, Guthrie, Williamstown, Alley, Berkley, American Rep. Training: Yale School of Drama. She has worked extensively in film and TV.
Choreographer for X: Or, Betty Shabazz v. The Nation. Most recently choreographed The Wiz for Oregon Shakespeare Festival. New York credits include The Tempest (Harlem Classical Theatre), A Band of Angels, Langston in Harlem (Joe A. Callaway Award, Audelco Award). Nominated for the Helen Hayes Award for Choreography in Arena Stage’s 2015 production of Five Guys Named Moe. Byron is an associate arts professor at NYU/Tisch School of the Arts.
Since receiving his M.F.A. from Yale School of Drama in 2011, Alan has had great opportunities to design for a diverse selection of theater companies including The Classical Theatre of Harlem, the Oregon Shakespeare Festival, and Dallas Theatre Center, where in 2015, he designed lighting for the world premiere musical Stagger Lee, written by Will Power & Justin Ellington. The story followed five characters through the African-American experience of the 20th century. For Classical Theatre of Harlem, Alan has become a regular, designing their uptown Shakespeare in the Park (The Tempest and Macbeth)and their world premiere Harlem-based Christmas musical The First Noel, in association with The Apollo Theatre. At the National Black Theatre, Alan has had the pleasure of designing premieres of Nikkole Salters’ Carnaval, and Chisa Hutchinson’s Dead & Breathing, among other projects. A special collaboration between CTH and NBT bred a production of Amiri Baraka’s Dutchman which led to Alan’s nomination for the Audelco Award for Lighting Design in 2014. In dance, he has collaborated with choreographers Jessica Chen and Jeremy McQueen on numerous occasions. Select theater, dance & opera credits include: The Mountaintop (Cleveland Playhouse, Dallas Theatre Center), Constellations, Deathtrap (Berkshire Theatre Group), The Black Iris, Madiba (Jeremy McQueen), Carmen (Tri-Cities Opera), Suor Angelica (Simpson Opera), Acis & Galatea (Madison Opera), A Delicate Balance and The Piano Lesson (Yale Rep). Alan began teaching at Yale School of Drama in 2016, and is also on the faculty for the Yale College undergraduate program.
Sound Design/Composition for The Acting Company: X: Or, Betty Shabazz v. The Nation. Additional companies include: Lincoln Center, New York Theater Workshop, MCC Theater, People's Light, Guthrie Theater, Dallas Theater Center, Oregon Shakespeare Festival, McCarter Theater, Alliance Theater, The National Theater of London, The Royal Shakespeare Company, The Stratford Festival.
Playwright for The Acting Company: X, Desire Quenched By Touch. His plays include: The House that Will Not Stand (Berkeley and Yale Reps, Tricycle, London), The Gospel of Lovingkindness (Victory Gardens); The Road Weeps, The Well Runs Dry; Every Tongue Confess (Arena); On The Levee (musical at Lincoln Center) was nominated for 11 Audelco Awards including outstanding playwright. Awards: Glickman, PEN Laura Pels, BTAA, Edgerton, James Baldwin Fellow. Gardley has an MFA from the Yale Drama School and is a member of New Dramatists, The Dramatists Guild and the Lark Play Development Center.
Mary Louise Geiger
Lighting Designer for Julius Caesar and X: Or, Betty Shabazz v. The Nation. Broadway: The Constant Wife. Off Broadway: The Liar, Nat Turner in Jerusalem, Forever, Oedipus at Palm Springs, My Mother has 4 Noses, She Stoops to Conquer, Natural Affection, Beyond Therapy, This Bitter Earth, Les Carillons, Good Television, The New York Idea, Kindness, The Blue Door, Bauer, Dollhouse, Red Beads. Regional: Center Theatre Group, Guthrie, Huntington, Studio Theatre, among others. Awards: Helen Hayes, IRNE, NYSCA. Training: Yale, Faculty: NYU.
Christine Goldman Bagwell
Properties Design for The Acting Company: X: Or, Betty Shabazz v. The Nation, Julius Caesar. Broadway: The Cherry Orchard. Off-Broadway/Regional: Atlantic Theater Company, Roundabout Theatre Company, The Public, Primary Stages, Bucks County Playhouse, American Repertory Theater and Williamstown Theater Festival. Props Assistant on Broadway: Charlie and The Chocolate Factory, Old Times, Therese Raquin, Blackbird, Hughie and Hand to God. Education: BFA Ithaca College.
Jane Guyer Fujita
Voice and Speech for Love's Labor's Lost.
Nambi Kelley (Playwright, Native Son) has penned plays for Steppenwolf, Goodman Theatre, and Court Theatre/American Blues Theater in Chicago, Lincoln Center in New York, and internationally. Most recently, Kelley was named playwright in residence at the National Black Theatre in New York. Her adaptation of Native Son, directed by Seret Scott, will be published by Sam French, 2016. Native Son was presented to critical acclaim at Court Theatre with American Blues Theatre (co-production) was recently nominated for 5 Jeff Awards including best adaptation and production of the year, and was the highest grossing production in Court Theatre's 60 year history. Native Son is also on the Kilroy's List 2015, in the top 7 % of new plays by female and trans* authors nominated by literary managers, directors, and other artists polled across the country. Kelley’s Xtigone celebrated production in Chicago (Chicago Danz Theatre Ensemble), San Francisco (African American Shakespeare Company directed by Rhodessa Jones), and was just published by YouthPlays Publishing. Kelley recently returned to Singapore to perform in her co-adaptation of The Book of Living and Dying that was published in an anthology of plays in Singapore in 2014, is working on several commissions with productions slated in 2016. Nambi is also a professional actress, most recently closing the critically acclaimed Two Trains Running at the Goodman Theatre, and has been seen on television in Person of Interest, Madam Secretary, Elementary, and Chicago PD. Nambi has a BFA from The Theatre School at DePaul University, and an MFA in interdisciplinary arts from Goddard College. http://www.nambikelley.com
Stage Management for Love's Labour's Lost.
Sound Designer and Original Music for Love's Labor's Lost.
Fight Choreographer for Julius Caesar and X: Or, Betty Shabazz v. The Nation. Founding Artistic Director of The Artigiani Theater Troupe. Founding Faculty of The Clown School. Off-Broadway: Creation, The Cherry Orchard. Regional: Someone Who’ll Watch Over Me. The Juilliard School: The Frogs, The Caucasian Chalk Circle, Il Mondo della Luna, Scapin. TV/Film: Strangers With Candy, JAG, In the Weeds, Blue Hour, The Beat, Whoopi. Awards: John Houseman Award, Two-time Fox Fellowship recipient, OBIE Award. Training: The Juilliard School Drama Division.
Set design for The Acting Company: Hamlet, Rosencrantz and Guildenstern Are Dead, Of Mice and Men, Julius Caesar, The Comedy of Errors, Romeo and Juliet, The Heart is a Lonely Hunter, Jane Eyre, Moby Dick, The Tempest, The Spy, Henry V. Neil is an awarding winning set designer working On and Off Broadway, major opera companies, and at most resident theaters across the country.
Scenic Designer for Julius Caesar and X: Or, Betty Shabazz v. The Nation. Off-Broadway: The Lightning Thief (Lucille Lortel Theatre), Satchmo at the Waldorf (Westside Theatre), Final Analysis (Pershing Square Signature Center), Breakfast With Mugabe (Pershing Square Signature Center), Collapse (New York City Center), Rx (59E59), All-American (Duke on 42nd Street). Nomination for Scenic Design, Henry Hewes Design Nomination, Satchmo at the Waldorf.
Assistant Director for Love's Labor's Lost.
Voice, Speech and Text Consultant for The Acting Company: Julius Caesar, X, Macbeth, Hamlet, Rosencrantz and Guildenstern Are Dead, Romeo and Juliet, The Tempest, Two Gentlemen of Verona, Richard III, As You Like It, Taming of the Shrew, plus many others. Ms. Smith began her association with The Acting Company in 1972. NY: Macbeth, No Man's Land, Waiting for Godot, Comedy of Errors, Mrs. Warren’s Profession, Importance of Being Earnest, Cymbeline, Coast of Utopia, Rivals, Henry IV, Invention of Love, Ivanov, Arcadia, Homecoming, Dirty Rotten Scoundrels, Tommy, My Fair Lady, Beauty and the Beast, Me and My Girl, Dracula. Regional: Shakespeare Theatre, D.C., LWT, ART, Hartford, Centre and Arena Stage, Guthrie, Glimmerglass. Recipient 1996 John Houseman Award.
Production Stage Manager for The Acting Company: Julius Caesar, X: Or, Betty Shabazz v. The Nation. Broadway: The Realistic Joneses, Follies. Off-Broadway/Regional: Hadestown, Red-Eye to Havre de Grace, What’s It All About?, A Civil War Christmas (NYTW), Allegro (CSC), A Great Wilderness (Williamstown), Autumn Sonata, A Delicate Balance (Yale Rep). Opera/Music: The Ouroboros Trilogy, Dog Days, Real Enemies, Brooklyn Babylon (BAM Next Wave), The Juilliard School. Concerts: Jazz at Lincoln Center, Carnegie Hall. MFA, Yale School of Drama.
Jessica Wegener Shay
Costume Designer for Love's Labor's Lost.
Lighting Designer for Love's Labor's Lost.